Résultats de recherche

  • and from the prosecutor to the police. The reflex is then to compensate these new prerogatives of the criminal trial. To relativize French law the reflection is based on a comparison with German and Italian laws
  • within restitutions. What is the source of this unity How can it be explained This is precisely the subject
  • controversial elections. This elective democracy is not concerned by promoting equality and satisfying Sub-Saharan French speaking countries. The point is to examine their origins manifestations and involvements
  • and Stéphane Bérard in Marseille in 1993. Her work is marked by its plasticity it explores a wide range and spaces of circulation. Her initial grounding is in poetry within a confined space that articulates
  • become entrepreneurial. For the knowledge economy it is a key actor and PhDs kingpins. They are invited during training to embrace other careers while academic sector is narrowing. Professionalisation programs are built
  • identité. Color as object of interdisciplinary studies is present in the literature and finds a particular and semantic variety throughout his work. The aim is to analyze color in literary context and in its discursive
  • Humanitarian Law war law section should apply. This question is what this research aims to study by measuring which characteristics of both hypothesis could be combined. It is about establishing new rules in law which prove essential
  • an effective protection of victims interests which is at the core of civil liability since the 21st century century. While a general reform of civil liability is being considered by the Chancellery the idea of the
  • constituer un observatoire de leur évolution. This thesis is carried out within the context of a contract CIFRE Saint-Etienne Epures. The purpose of this research is to propose a method objective and systematic to read
  • poetics and ideology are at stake. Though art criticism is a genre in its own right which the author used as which define in its turn poetics because the critic is also a writer his thinking about visual arts painting