Résultats de recherche

  • l'image reflétée et sur son rôle méta-pictural. This is a study of the anti-mimetic paradigm of art using mirrors. The second perspective the symbolic one is represented by the analysis of the occurrences of
  • the principle of non-retroactivity of criminal law is fundamental. These include interpretative declarative These laws have a predominant didactic function which is common to them. They fulfill different yet no less
  • validating the hypothesis by which the air masses dynamic is an essential component in the forcing of abrupt climatic events. One of the main innovations of this thesis is therefore to experiment a general circulation model
  • between Domestic Law and Public International Law is confuting due to common factors of indeterminacy must be called into question since indeterminacy is not solely endowed with harmful effects and turns
  • changes Japanese cinema dealing with its history is we could say as other forms of artistic expression generational reality and in the case of Japan whether it is revealing or not of a specific Japanese narrative
  • This multifaceted text belonging to the draft poetry is here considered through the angle of a notion coming a fragmented and temporary style. The désécriture is in fact a positive experience the vanishing words
  • music has been extremely popular in the US where it is seen as the synonym of youth and rebellion. The very Cui Jian performed a song written by himself which is titled I Have Nothing . This thesis investigates
  • intervention methodology of socio-economic management. It is in this context that we evaluate the contributions selected. Thus the normative integration process is enriched by a deliberate and progressive learning
  • qui dure quelques semaines. This doctoral thesis is in line with the history of the press which originally and provides a critical analysis on the era which is often considered as the Golden Age of the press.
  • poetics and ideology are at stake. Though art criticism is a genre in its own right which the author used as which define in its turn poetics because the critic is also a writer his thinking about visual arts painting